JOAN BANACH
5 x 20 x 20. A talk at The Museum of Modern
Art, New York, May 21, 2009, moderated by Christian Rattemayer, presented in
conjunction with an exhibition of the Judith Rothschild Foundation Contemporary
Drawings Collection.
Guest Artist
“Painting Today,” a course at The School of the Museum of Fine Arts, Boston,
March 2008, and February 2010, organized by Magdalena Campos-Pons
Visiting Artist, Bennington College, Vermont,
October 1999
SELECTED SOLO AND
GROUP EXHIBITIONS
2010 (Re)Vision,
Nicole Fiacco Gallery, Hudson, NY, Jan 2 – Feb 6 (four person)
2008 Joan Banach: Citizen, Small A
Projects, NYC, Nov 14 - Dec 21 (solo)
2008 Detournement of Pictures from the
Past, University of California, Berkeley, December. (special project
presentation)
2008 The
Future as Disruption (curated by Rashida Bumbray and Matthew Lyons), The
2008 Disarmory,
The Open Gallery, 201 Mulberry Street, NYC, March 28-30.
2007 Phantom, The Painters Storefront
Gallery, Fleischmanns, NY, Sept 15- Oct 15. (solo)
2007 Aporia:Aporia,
LACE, Los Angeles, June 13-Aug 19. (group; coloring book)
2007 Aporia/Heuristics,
EFA Gallery, NYC, April 1-May 25. (group; catalogue)
2005 Modern
Stories: Narrative Prints from the Rutgers Archives for Printmaking
Studios, Zimmerli Art Museum, Rutgers
University, New Brunswick, NJ, April 17-July 31. (group; catalogue)
2003 Tot
Zo Fer/Up to Now (A farewell presentation from the collection curated by
Amsterdam, May
31-Dec 31. (survey)
2002 Into
the Woods, Julie Saul Gallery, NYC, June 28-August 16. (group)
2001 Hidden
Identity, Elizabeth Harris Gallery, NYC, January 4-February 3.
2000 Another Side of Modernism: The
Human Figure in Painting from 1950 to the Present, (curated by Lilly Wei with
John Yau, Alexi Worth and Robert Bunkin), Snug Harbor Cultural Center, Staten
Island, NY, June 4, 2000-January 21. (group; catalogue)
2000 Joan Banach, Ansuya Blom, Robert
Wilson (Drawings from the Collection), Kabinet Over Holland, Stedelijk Museum,
Amsterdam, Sept 16-Dec 11. (three person)
2000 Private Worlds, (curated by Joan
Semmel and Arnold Mesches), Art in General, NYC, May 31-July 8. (group)
1999 Works on Paper, Bobbie Greenfield
Gallery, Bergamot Station, Los Angeles, Nov. (group)
1999 Recent
Acquisitions, Stedelijk Museum, Jan-April. (group)
1998 Joan Banach, Mario Diacono Gallery,
Boston, Mass, Sept 12-Oct 10. (solo; catalogue)
1998 Figures and Fragments: Peintures,
Dessins, Sculptures et Gravures, Galerie Lelong, Zurich, Feb 7-March 5. (group)
1997 Focus USA (Joan Banach/Dan Asher),
Galerie Lelong, Zurich, Sept 19-Nov 15. (two person, broadside)
1997 One
Great Jones, NYC, June-Aug 15. (group)
1997 Joan
Banach, One Great Jones, NYC, April-May. (solo)
1996 Salon des Tree, (organized by
Austin Ackles and Mary Jones), Belvedere Castle, Central Park, NYC, June 12.
(group)
1996 Swag and Puddle, (curated by Janice
Krasnow and Mary Jones), The Work Space Gallery, NYC, March-May. (group)
1995 Small Format Abstract Paintings, Bill
Maynes Contemporary Art, NYC, Sept-Oct. (group; chapbook)
1993 Rowles
Studio, Hudson, New York, July 14-Aug 29. (group)
1993 Works on Paper (curated by Andre
Emmerich), The Berkshire Museum, Pittsfield, Mass., Sept 25-Nov 5. (group;
catalogue)
1984 Gimpel
Weitzenhoffer Gallery, NYC, Sept. (solo)
SELECTED BIBLIOGRAPHY
Critical Writing and Notices
Rattemayer, Christian. The Judith Rothschild
Foundation Contemporary Drawings Collection. New York: The Museum of Modern Art, 2009 p. 86 (catalogue
raisonne).
Ashton, Dore. “Joan Banach Through a Glass
Darkly.” (catalogue essay, unpublished).
Pozzi, Lucio. “Articulo Pozzi - New York,” Il Giornale dell Arte, Turin,
September 2009 (review).
Butler, Sharon, “Joan Banach: GeoAb with a
shot of vulgarity please,” Two Coats of Paint, (online review).
Citizen/Picture of the Week, artcritical.com,
weekend of November 22-23, 2008.
Rosenberg, Karen, “The Future as Disruption,”
Art in Review, NY Times, Aug 1, 2008, p. E29 (review).
Amir, Yaelle, “Smoke in the Kitchen,”
Art/Slant, July 15, 2008 (online review).
“The Future as Disruption,” The Imagist, July
2008, (online review).
Chamberlain, Colby, “The Future As Disruption,”
Artforum Critic’s Picks, July 2008
Wagner, James, “Disarmory,” Culture Pundits,
May 8, 2008 (online review).
Melius, Jeremy, “In Flagrante,” The Disarmory
Newspaper, DB Foundation, NY, Vol. 1, March 28-30, 2008, p. 7 (illustrated
text).
Marcus, David, “Armory Show Ripoff,” The
Disarmory Newspaper, DB Foundation,
Russell, Christopher, “Aporia: Aporia,” Artus
Magazine, Los Angeles, Nov 2007, p. 16. (review)
Byrum, Greta and Daou, Annabel, “Impossibility
Made Easy,” LACE, Los Angeles, July 2007. (catalogue)
Myers, Holly. “Artists are Limited Only by
Imagination at Los Angeles Contemporary
“Aanwinsten/Acquisitions 1993 – 2003,”
Stedelijk Museum, Amsterdam, p. 146 (color
Marcus, David. “Aporia,” Artseen, The Brooklyn
Rail, Brooklyn, NY, May 2006, p. 30. (review)
Kley, Elisabeth. “Aporia,” TimeOut, New York,
issue 551, April 20-26, 2006. (review)
Byrum, Greta. “Pattern Recognition: Fragment
Study,” and Byrum, Greta and Daou,
Obrist, Hans Ulrich, “An interview with Karel
Appel,” Amsterdam, May 2003, p. 7.
Transcript by Nicolas Boutoux at the Karel
Appel Foundation Archive, Amsterdam. In
Wei, Lilly. “The Figure: Another Side of
Modernism,” Newhouse Center for
Johnson, Ken. “Hidden Identity,” NY Times,
January 26, 2001, p. E38. (review)
DeRevisor, featured artist for issue 5/2000,
Amsterdam. Cover image in color; black and white illustrations p. 4, 35, 41,
49, 62. (Dutch literary journal)
Glueck, Grace. “Private Worlds,” NY Times,
June 12, 2000. (review)
Johnson, Ken. “Another Side of Modernism,” NY
Times, July 24, 2000. (review)
Lloyd, Ann Wilson. “Paintings by Joan Banach
at Mario Diacono,” Art in America,
Garber, Randy. “Paintings by Joan Banach at
Mario Diacono,” Artsmedia Magazine,
Diacono, Mario. “Beauty and the Past,” October
1998. Translated from the Italian by
Affentranger-Kirchrath, Angelika, “Dan Asher
und Joan Banach at Galerie Lelong,”
Kraft, Martin, “Barocke Visionen Joan Banach,”
Tages-Anzeiger Zuritip, October 10,
Pozzi, Lucio. “Una pittura che non sara mai
visibile su Internet,” Il Giornale Dell Arte,
Nahas, Dominique. “Joan Banach,” Review Magazine,
NY , May 15, 1997, p. 5-6. (review)
Holtzman, Harry, “Tempest in a Teapot,” ca.
1976 (essay, unpublished).
MUSEUM AND SPECIAL
COLLECTIONS
Albright-Knox Art Gallery, Buffalo, New York
Collezione Marimotti, Emilia, Italy
The High Museum of Art, Atlanta
David Mirvish Collection, Toronto
Museum of Modern Art, New York
Stedelijk Museum, Amsterdam
biographical notes
Born September 1948, Brooklyn, New York
Studies with Lee Bontecou, Harry Holtzman, and
Sylvia Stone at Brooklyn College
John Simon Guggenheim Fellowship for Painting,
2000
Donati Foundation Fellowship, 1984
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